FIELD NOTES
Writing entries on my art, community interviews, photographs, archives, and more. Thanks for visiting.
Photos from the birthday celebration and collaborative writing honoring the Chioco-Peña and extended family’s matriarch, Marina Chioco Peña.
Murphy, our 26-year old family car, and recently stolen for the first time, had served our family and community across three generations and various immigration periods throughout California— all within 89,000 miles on the car’s odometer.
Reflections on a site-specific performance work, “Scatter Piece”, which responds to the trajectory of anti-displacement collective action in my neighborhood, the E.
As part of anti-displacement narratives in A Hxstory of Renting, I trace my family’s immigration story. It begins with my Lola Marina, who turned 98 years old.
In its core, the city still remembers who it is, who it was and who it will be through voices like mine that persevere to recollect, contextualize, remember.
Muralist Max Martilla speaks about his mural honoring his friend and beloved San Francisco artist, the late Ronnie Goodman (1960-2020), and the community life cycle of murals.
Chris Gazaleh discusses his mural, Local 2 Global Resist Police Terror along Mission’s Valencia street, and his experience as a Palestinian-American muralist making visual connections across the globe.
George Harry Crampton-Glassanos is part of the lineage of local artists who take initiative to restore a beloved neighborhood sign. He talks about growing up in San Francisco, and love for his community.
Erina’s reflection on their photography on the day of the orange skies point them to artist Sita Kuratomi Bhaumik’s analysis of visual supremacy.
In an advice column style format, a third-generation renter asks cultural anchor Anna Lisa Escobedo about the life of murals along the Mission District’s Mission and Valencia Streets.
Collaborator Lourdes Figueroa notes a participatory observational bilingual account of her time with Prudencia Ayala (pseudonym), an essential worker at Discount City in the Mission District, San Francisco.
Collaborator Vida Kuang interviews Anh Huynh, owner of Yan Yan Beauty Salon in the Excelsior District, San Francisco. Anh shares about life during WWII in Ho Chi Minh City, and moving to San Francisco to form her own business.
Tess Diaz of JT Restaurant in SOMA Pilipinas discusses her first day in the U.S., surviving the COVID-19 pandemic through community support, and cultural memories as an anchor and elder in the Filipino Cultural Heritage District in South of Market, San Francisco.
Community photographs from event honoring Bernadette Sy and Luisa Antonio, two pillars of the Filipino community. Photos by Erina Alejo for SOMA Pilipinas.
“Cough Drops: An Artifact” by poet, friend, and collaborator Jason Magabo Perez from This is for the Mostless (2017).
Six years later, a revisit to a timely archive— a snippet of history of student activism at UC San Diego taking place in light of the 2014 Ferguson Uprisings as part of the Black Lives Matter movement.
This poem is dedicated to the workers at our local laundromats, past, present and future--among many essential workers who sustain our well being during this pandemic.
It is so humbling to continue supporting and witnessing Balay Kreative’s trajectory as one of several emerging champions for the arts in San Francisco’s SOMA Pilipinas Filipino Heritage Cultural District, my home community of over 20 years.
The life of a book after its physical existence